by George Le Masurier | Apr 4, 2017
Fresh out of college in 1982 at the age of 23, Richard Mackie came face-to-face on Newcastle Island with “Torchy” Smith, a B.C. government employee who roamed the province in search of abandoned buildings in provincial parks.
It was his job that when he found one, he burned it down.
Mackie had just taken on his first job: writing a historical report on the Newcastle Island Dance Pavilion. It was the last remaining pavilion of the 10 built by the Canadian Pacific Railway (CPR) in the early part of the 20th Century.
The pavilions were featured attractions of the CPR’s coastal resorts, whose guests arrived on the company’s Princess Ships of the British Columbia Coast Steamship Service.
The Newcastle Island Pavilion after it’s 19834 restoration. It’s a popular and busy site for weddings and other social gatherings.
Mackie’s 1983 report noted the historical, recreational and aesthetic values of the last pavilion, and it sent Torchy back to the mainland to start some other fire. The pavilion was restored in 1984 and today is a sought-after location for weddings and other events.
Flush with his initial success, Mackie began a noted career of teaching and writing about history, with an emphasis on heritage buildings. He’s authored half-a-dozen books.
“I got the idea from my Newcastle experience,” Mackie told an audience at North Island College on Saturday, “that if I wrote a report, people would always care. They don’t.”
That’s particularly true in the Town of Comox, which Mackie accused of perpetrating “wanton cultural vandalism.”
He referred to the Comox Council’s decision last year to demolish famous naturalist Hamilton Mack Laing’s original Comox Bay home, named Baybrook, and its plan to demolish Laing’s second home, Shakesides.. The nation’s top heritage experts have criticized Comox for demolishing Baybrook and are fighting the town to save Shakesides.
“In the Comox, you can write all the reports you want, but they’ll tear them down,” he said.
Mackie titled his lecture, the last in an NIC Elder College series featuring authors, “Dead Dog or Land of Plenty? Creating and Effacing History in the Comox Valley.”
He discussed many of the region’s “dead dogs,” which have either been torn down or burned down before they could be restored. It’s a long list that includes the Lorne Hotel, the Elk Hotel, the Courtenay Hotel, the Riverside Hotel and the EW Bickle Palace Theatre.
He lamented the loss of these historical buildings because they serve as anchors for a community’s collective memories, like rooms and artifacts in a person’s childhood home.
He noted the contrast between Cumberland, which has preserved many of its historical buildings, and Comox, which has no apparent regard or respect for its history.
He did have praise for the preservation of Courtenay’s Native Sons Hall and the Filberg Lodge.
Mackie said saving heritage buildings can benefit a community in many ways, including financially.
Campbell River boosted its public awareness when it preserved the home of Roderick Haig-Brown, a more well-known figure but less important to the scientific world than Mack Laing.
And that city also supported the restoration of artist Sybil Andrews’ home, which has since become a popular tourist and event location similar to the Newcastle Island Pavilion.
Referring to the area’s moniker as the “land of plenty,” Mackie asked “plenty of what?” The Comox Valley is destroying its ghosts, he said, with a frontier mentality that doesn’t value these buildings.
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Richard Mackie is a former Comox Valley resident. He is the author of Mountain Timber: The Comox Logging Company in the Vancouver Island Mountains (Sono Nis Press, 2009), Island Timber: A Social History of the Comox Logging Company, Vancouver Island (Sono Nis Press, 2000), Trading Beyond the Mountains: The British Fur Trade on the Pacific, 1793-1843 (UBC Press, 1997), The Wilderness Profound: Victorian Life on the Gulf of Georgia (Sono Nis Press, 2009) and Hamilton Mack Laing: Hunter-Naturalist (Sono Nis Press, 1985). Mackie lives in Vancouver where he is Reviews Editor of the Ormsby Review.
by George Le Masurier | Mar 29, 2017
With new organizations and high-profile individuals joining the movement to preserve the waterfront home of internationally known naturalist and Town of Comox benefactor Hamilton Mack Laing, there are rumors that some Comox Council members might reconsider the town’s plan to demolish the house, known as Shakesides.
Robert Bateman, Canada’s most famous naturalist and painter, is the latest individual to support saving Shakesides.
In a March 23 message to town officials, Bateman wrote, “I have spent my life since the 1960s battling to hold back the destruction of our human and natural heritage … it is your job to protect this property and honour the wishes of its owner ….”
Laing, who died in 1982 at the age of 99, gave his waterfront property, his home, substantial cash and personal papers from his estate to the Town of Comox “for the improvement and development of my home as a natural history museum.” The town accepted the money and, therefore, the terms of the trust.
But 35 years later, the Town of Comox has done little to satisfy his last wishes and apparently mishandled the Laing trust funds. The current Town Council has voted twice to demolish Shakesides, raising serious ethical and legal questions. The demolition was stopped in 2016 by the B.C. Attorney General.
Top Photo: Laing with spring salmon, April 26, 1929. Above: Shakesides today
Comox Council voted unanimously in February to ask the B.C. Supreme Court to release the town from its obligations under the terms of Laing’s trust, which required it to use 25 percent of his money to develop a natural history museum in Shakesides and to invest the other 75 percent to fund ongoing operations.
But at least three Comox Valley groups plan to seek intervenor status in opposition to the town’s application.
The latest to join the movement is the Comox Valley Naturalists Society, commonly know as Comox Valley Nature. In a letter to the Provincial Ministry of Justice, the group asks for a 12-month to 18-month freeze on demolition so it can work with “Heritage B.C. and the National Trust of Canada to prepare a heritage management plan.”
It also requests an independent forensic audit of the town’s handling of the trust’s money. Documents collected by other intervenors show the town spent trust money on improvements outside the park, and that none of the investment income was spent in accordance with the terms of the trust until the early 2000s. The more than $100,000 in rental income from Shakesides was funneled into the town’s general ledger.
Comox Valley Nature also asks the Attorney General to remove Mack Laing Park property, including the Shakesides house, and the trust funds from the town, and place them “in more trustworthy and capable hands.” The group intends to create a consortium of community and provincial groups to take responsibility for the house and park.
Besides Comox Valley Nature, support for Shakesides has also come from B.C. Nature, Heritage B.C., the Comox Valley Conservation Strategy Partnership, Project Watershed and dozens of well-known individuals, including Bateman, author Robert Mackie and columnist Stephen Hume.
This mounting support has at least one council member questioning whether the town should proceed with its Supreme Court application, which could cost more than $100,000. If council was permitted to proceed with demolition, taxpayers would pay an estimated $250,000 in legal costs, demolition and remediation of the site into a viewing platform.
Surely other council members are also wondering if it might create more goodwill and community cohesion to direct that amount toward living up to the terms of Laing’s trust.
An unfavorable Supreme Court decision could be even costlier for Comox taxpayers.
Comox resident Gord Olsen commissioned an independent analysis of the Laing trust by Kent Moeller, CPA, of Moeller Matthews in Campbell River. It showed the trust fund could be worth $481,548 today. He used figures released by the town and conservatively calculated interest rates and added in the investment of rental income.
Moeller’s analysis suggests that if the town had immediately invested all of Laing’s bequeathed cash plus the rental income, it would have nearly a half-million dollars in the trust fund.
Laing left the town about $60,000 in 1942 (note: the price of a newly built similar-sized home in Courtenay in 1982 sold for about $50,000).
According to Bunker Killam, who rented the house, and Richard Mackie who lived there after Laing died to sort and organize his personal papers and belongings, Shakesides was in good condition at the time the town took possession. A nationally recognized heritage consulting firm recently examined the house and determined it is still structurally sound, and are prepared to write a conservation strategy.
No date has been set for the town’s court application to modify the terms of Laing’s trust. Comox Council should recognize this as a grace period to reconsider their decision and save a public relations disaster with just over a year before the next municipal elections.
by George Le Masurier | Feb 3, 2017
Two documents have recently surfaced that indicate the Town of Comox had discussions with the Comox Valley Natural History Society about creating a natural history museum in the home of Hamilton Mack Laing. The letters also indicate the society’s interest to take on responsibility for developing a park on Laing’s property.
You can read the letters here, and here.
The letters, written in 1979 and 1981, provide proof that Laing participated in getting assurances that the Town of Comox would carry out his last wishes if he bequeathed them his house, the bulk of his work as a naturalist and a significant amount of money to finance the endeavors.
Laing was an honoured figure in the CV Natural History Society and his caretaker nurse was Alice Bullen, also a member of the society and a Town councillor at the time. The letters show that Laing knew of the society’s communication with the town and supported it.
Up until now, the Town of Comox has claimed that all records and accounts of its dealings with Laing and his representatives have disappeared.
Laing was prolific naturalist, photographer, writer, artist and noted ornithologist, whose work from the Comox waterfront since 1922 earned him worldwide recognition.
Laing lived a Walden Pond lifestyle on several waterfront acres along Comox Bay from 1922 until his death in 1982. Laing was lesser known than Campbell River’s Roderick Haig-Brown, but to serious ornithologists, his work was more important.
When Laing died, he left the bulk of his work to the Town of Comox, and also his waterfront property, his second home (named Shakesides), and the residue cash from his estate “for the improvement and development of my home as a natural history museum.
But 35 years later, the town has done nothing to satisfy his last wishes, and the money Laing left to finance his legacy would have been used for other purposes.
One of the important revelations from the documents unearthed from Laing’s papers preserved at the B.C. Archives is that the town may have competed for the trust, or at least convinced Laing that they were the best holders of his trust.
That may be cause for the B.C. Supreme Court to regard the town’s breach of Laing’s trust as something more serious.
The Town Council voted unanimously this week to try to break Laing’s trust with an application to the high court that argues the trust is “no longer … in the best interests of the town.” The council wants to use Laing’s money to tear down his house and build a viewing platform on the site.
The town’s councillors obviously have little regard for heritage or respect for one of the community’s most famous former residents. Laing’s work and his home have received more support from outside the town.
An independent and nationally recognized heritage consulting firm says that the former home of the naturalist — known as “Shakesides” — is of national importance and should be saved for its historic value and for the enjoyment of future generations.
The chairman of Heritage B.C., a provincial agency committed to “conservation and tourism, economic and environmental sustainability, community pride and an appreciation of our common history,” believes the heritage value of Shakesides demands that Laing’s former home should be “conserved for … future generations” and that the Town of Comox should “use the building in ways that will conserve its heritage value.”
Heritage B.C. has offered its assistance, at no charge, to the Town of Comox, for the duration of the process to repurpose Shakesides, and pretty much guaranteed the town a provincial grant through the Heritage Legacy Fund Heritage Conservation program.
The two letters were discovered by Kate Panyatoff, a former president of the Mack Laing Heritage Society. She was doing research for the Comox Valley Nature’s Cultural and Heritage Group, which plans to publish some of Laing’s work.
Note: This article has been updated from the original post.
by George Le Masurier | Dec 9, 2016
Let’s see if we understand this accurately:
- An independent and nationally recognized heritage consulting firm issued a Statement of Significance regarding the former home of naturalist Mack Laing — known as “Shakesides.” They said the building is of national importance and that it should be saved for its historic value and for the enjoyment of future generations.
- The chairman of Heritage B.C., (page 77, last page) a provincial agency committed to “conservation and tourism, economic and environmental sustainability, community pride and an appreciation of our common history,” believes the heritage value of Shakesides demands that Laing’s former home should be “conserved for … future generations” and that the Town of Comox should “use the building in ways that will conserve its heritage value.”
- Heritage B.C. has offered its assistance, at no charge, to the Town of Comox, for the duration of the process to repurpose Shakesides, and pretty much guaranteed the town a provincial grant through the Heritage Legacy Fund Heritage Conservation program.
- But council members of the Town of Comox have unanimously ignored this independent and professional advice. Instead, they have decided to reduce the building down to a pile of forgettable rubble.
What’s going on here?
Do Comox councillors lack any appreciation for history and the town’s heritage? Do they dislike pushy people — for example, the members of the Mack Laing Heritage Society — and want to tear down the building for spite?
Or both?
Either way, it’s a shame. And it’s another example of how out-of-step the Town of Comox is with the rest of the Comox Valley … and why, in the next municipal election, voters should toss the majority of them out of office.
The Town of Comox has been misusing Mack Laing’s financial gift of land and property, and cash, to maintain his home as some form of a natural history museum. The town has spent Laing’s gifted money on walkways, stairs and bridges for Brooklyn Creek — outside of the Mack Laing Park property — but hardly a cent to fulfill the last wishes of this community’s most widely admired naturalist.
Hamilton Mack Laing was a naturalist, photographer, writer and noted ornithologist, whose work from the Comox waterfront from 1922 through 1982 earned him worldwide recognition.
Laing gave his waterfront property, his home, substantial cash and personal papers from his estate to the Town of Comox “for the improvement and development of my home as a natural history museum.” The town accepted the money and, therefore, the terms of the trust.
But 34 years later, the Town of Comox has done little to satisfy his last wishes and mishandled the money Laing left, raising serious ethical and legal questions, which a provincial court may ultimate answer.
In the meantime, it’s unfathomable that seven council members and the mayor would support the demolition of a building that the provincial heritage agency and professional heritage advisors have declared has national significance.
Perhaps, the pleadings of Heritage B.C. will change the perspective of some council members. Let’s hope so.
A public and formal apology on behalf of the town for misusing Mack Laing’s financial trust for more than three decades would also be nice. But probably too much to hope for out of this council.
by George Le Masurier | Jul 28, 2016
With the popular summer festivals coming up this weekend in Comox — Filberg Festival and Nautical Days — the town likes to get all gussied up. Plants watered and weeded. Streets swept and lines repainted. Lawns mowed, and so on.
But this annual beautification apparently doesn’t extend to a building the mayor and council want to tear down. Maybe they want it to look as bad as possible?
Since June 10th, a volunteer local artist spent more than 18 hours painting realistic murals on the plywood boards covering the doors and windows of noted ornithologist Hamilton Mack Laing’s former home, called Shakesides, which he left to the Town of Comox after his death in 1982. (See gallery below)
The local artist was asked to do the mural work by Gordon Olson, a friend of Laing and an advocate for saving the noted naturalist’s house. The town plans to demolish it.
The artist painted the window panels to look like real windows, with curtains and artifacts visible in the panes. It made the house look alive, like it might have looked when Laing lived there. The colorful murals made the abandoned building more interesting and attractive.
Many of the murals have been there for over a month.
But Wednesday morning, the town parks staff was ordered to remove the murals by turning the plywood panels around or painting over them. What were momentarily works of art are once again knotty pieces of plywood.
Apparently nobody at the town had noticed the murals until Tuesday. And only then because, ironically, Olson was touring a heritage building consultant from the respected Vancouver firm AMCE Building Services Co. through the house.
They ran a noisy gas generator to power floodlights. That attracted someone’s attention who emailed the town and other nearby residents like Terry Chester that someone was in the Laing house.
But Olson had permission from the town to conduct the heritage evaluation, which includes an analysis of Laing’s importance and other factors as well as a physical examination of the building. The consultant then writes a statement of significance (SOS).
Olson hopes the SOS will recommend that Heritage B.C. bestow heritage status on Shakesides. If it does, then there’s a possibility of obtaining money for the house’s restoration from the B.C. Heritage Legacy Fund.
According to Olson, the attention created by the heritage evaluation caused a “firestorm” of phone calls and emails from town officials, and led to the awareness of the murals. Chester said he and at least three other people complained to the town.
The complaints resulted in the directive to turn the panels around. Parks staff was also told to remove the Canadian flag that Olson had flown on the building.
Now, unwanted graffiti is a nuisance and the bane of every property owner. Painting anything without the owner’s permission is vandalism. So the town had every right and, arguably, good cause to erase the artwork.
Except that, in this case, the murals made the building look better. Doing something creative and in tune with the building’s history isn’t the same as tagging, spray painting profanity or drawing obscene pictures.
Curiously, the town has ignored actual graffiti spray painted on other parts of Mack Laing Nature Park; tags on bridges and trees have been there for months. Last February, someone painted a four-letter word on the panel covering the front window. Despite being notified, the town left the graffiti in place. A neighbor eventually painted over the obscenity.
Even if the town gets its way, the building won’t come down for a long time, maybe years, as the case winds it way through the courts. So, what’s the harm of injecting some life into the home of one of the town’s most famous, and generous residents?
Town councillors probably wouldn’t have given permission to paint murals on Shakesides, but once they were up, why take them down? From the town’s view, it’s an abandoned building slated for demolition. Let it go out with some dignity.
Olson believes the town doesn’t want the building to look good, or to be improved in any way. That might cause more people to visit the house and then take an interest in saving Shakesides.
I asked Comox Mayor Paul Ives about the murals yesterday. He said they were removed because “they were done without a permit, to my understanding.” And later, “Staff have acted in response to concerns raised about non-permitted use of this property by third parties.”
But when pressed on whether he personally ordered the removal, or had any communication with staff about the issue, Ives said, “I have no further comment in this matter.”
Town CAO Richard Kanigan did not respond to my email.
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by George Le Masurier | Jul 8, 2016
By voting unanimously last week to demolish Shakesides, the home of noted Canadian naturalist Hamilton Mack Laing, the Comox Town Council has failed to recognize a once-in-a-generation opportunity to build community cohesiveness.
Hamilton Mack Laing was a naturalist, photographer, writer and noted ornithologist, whose work from the Comox waterfront since 1922 earned him worldwide recognition.
Laing gave his waterfront property, his home and the cash from his estate to the Town of Comox “for the improvement and development of my home as a natural history museum.” The town accepted the money and, therefore, the terms of the trust.
Laing’s own letters, now preserved in the B.C. Archives, show that prior to his death in 1982 he held discussions with Town of Comox officials, and that he was satisfied they would follow-through on the instructions in his Last Will.
But 34 years later, the Town of Comox has done little to satisfy his last wishes and mishandled the money Laing left, raising serious ethical and legal questions. You can read about those here and here.
Those matters may ultimately be resolved in court when the town applies to change the terms of the trust, and effectively negate Laing’s last requests.
But, the ethical and legal issues aside, the Town Council should have heeded those who believe Laing’s importance and his last wishes deserve something better than yet another forgettable viewing platform.
It’s not too late to change course.
The renovation of Laing’s home into some form of a nature interpretive center, and the preservation of his legacy, is an opportunity to strengthen this community by honoring its past, and by bringing people together to rebuild and respect Laing’s legacy gift. This project would undoubtedly inspire Comox Valley people.
Community service groups, such as Rotary, look for opportunities like this to support with funding and volunteers. Many building trades have already agreed to donate their expertise and time to restoring Shakesides. Businesses would surely donate materials. Other volunteers would provide labor and raise the necessary funds.
Approached in this way, Shakesides would become a source of community pride. After all, Laing’s home is an important piece of Comox history. Without history, how do people ever acquire a sense of place, of belonging? Our First Nations people understand this better than the rest of us.
But, instead of inspiring volunteers to collaborate for the common good, the council unanimously chose to perpetuate divisiveness. It’s a discouraging lack of vision and leadership.
Faced with similar dilemmas, other communities have done far better.
A decade ago in Campbell River, for example, that City Council considered demolishing the small waterfront cottage where Sybil Andrews, one of Canada’s important artists, did some of her best work. The cottage had fallen into disrepair. It had no foundation; it sat directly on sand.
Led by the Campbell River Arts Council and the Sybil Andrews Heritage Society, citizens convinced the city to restore the cottage, which they did collaboratively.
The community project inspired the city to create a Heritage Registry (Comox does not have one), and they made the Andrews cottage its first entry.
Today, Sybil Andrews Cottage thrives as a gallery to display the works of local artists and as a site for programs of visual and performing arts. Campbell River’s museum and tourist groups promote tours of the cottage as a community attraction. You can read about it here.
Let’s urge the Comox Town Council to reconsider its options. Let’s hope they will work with the Mack Laing Heritage Society, the Comox Valley Naturalists Society and the community at large to take on a project that strengthens our community’s identity and preserves an important part of our heritage.
For more on this issue go here and here and here.
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Mack Laing working in his Baybrook Nut Farm
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Laing with spring salmon, April 26, 1929
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Laing with nut tree branch, undated
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Laing with a 52 pound tyee salmon caught at Comox, 1955
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Laing, about a year before his death, July 1981
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Mack Laing enjoys the first fire at his new home, Baybrook, on Oct. 11, 1923
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Wedding photo Mack and Ethel Laing, 1927
